Confession:
Once upon a time, I took revenge on a love who wrote about me. It was hypocritical. (Still is) And these are the unethical (read deplorable) thing I did:
STEP ONE: I stole his style. It’s not difficult to emulate other writers. It happens naturally by reading, which is why it’s prudent to read a variety of authors and genres. I reread a few of his essays the same way I’d try to see one of those optical illusions: only half in focus. How did I feel? Lulled, hypnotized. What was the sentence structure like? Repetitive, generally longish, but simple. How do his stories usually end? Twisted, shockingly, lamentable. What is the ultimate message? Whatever it is, always flip that, twist it so the work ends up yours, instead of a carbon copy. And most important, if you’re going to steal, work with the pilfered: write it all better. Scan the original pieces of reference for flaws, holes, and avoid recreating those.
STEP TWO: I stole the moments of our relationship that he hadn’t, fleshed them out, but twisted them into fiction. Always do this, lawsuits are such a drag.
STEP THREE: I analyzed. Step away, distance yourself from the work and your attachment to it. What are the characters’ weaknesses? Magnify them, make the characters as human and fallible and vulnerable as possible without doing a caricature. Readers (including me!) like to feel better about themselves and the people they know. Make the characters pay the ultimate price for their weaknesses. It could be death, loss of love, financial ruin—it all depends on what would devastate the character the most. (Um, this is if you’re going for tragedy…) Don’t be afraid of metaphors, either. They’re excellent to literalize exaggerated feeling. Just make sure if you’re going over the top that you have solid writing for the reader to step on. A reader will accept a bizarre metaphoric ending if you’ve led him there with breadcrumb trails that are grounded in reality. What was my ending? Literally? He hit his girlfriend with a truck. Get it?
I expected to feel vindicated after, but I didn’t. I got scrappy in the schoolyard, landed my punches (perhaps even a knockout?), and hobbled away, straightening my skirt, smoothing my hair, trying to regain my dignity, which was ridiculous because I was bruised and breathless just the same, just as much as he was.
This happens sometimes, and it’s a double-edged sword. But the damage is done and so onto repair… If you’ve poured your soul into your writing, people see right through you. That kind of vulnerability is unbearable. So here’s what you do if you find yourself wearing glass skin:
1. LAUGH IT OFF. Thank readers who express concern. Make a joke. Preferably one that involves peanut butter. Or railroad tracks.
2. BE DEEP. “I was taking a stab at the writing equivalent of the Stanislavski method of acting.”
3. BLAME IT. Say you had a dream courtesy of seratonin from eating too many sweet potatoes before bed.Say you met this woman with a story like this while you were in line at the Victoria Secret Semi-Annual Sale.
4. BORE THEM. You bled in the water, my writerly friend. And the inquiring minds will circle until you convince them that you’re not bleeding at all: it’s only corn syrup and red dye. Most effective trick I ever used? I droned on, tying my writing efforts to the newest Mariah Carey album. NO ONE cared.
And now for prevention and care of your writerly soul:
It is important to be able to protect yourself, and the people you care about. It’s a lot to ask, and it’s kind of silly because it makes me feel like a soldier or a spy or a prostitute, but as a writer, you must maintain two identities: one is fiction, and one is autobiography. YOU must always know your truth and embrace it to preserve your own sanity. You don’t necessarily have to share it.
Mine was this: When I was broken-hearted, I worked through my emotions in writing, and initially would never have shared it. But when I had to watch a group of people read what someone I loved had written about me, when he thus forced me to look at my pain and re-experience it, I was angry and so I took written revenge for reasons I hardly understood, maybe to make him feel just as bad—he’s an asshole to me when he’s hurting? I can do that. He wants to wreck me? I can wreck stuff, too. And the morning after, when I realized what I had done, how deeply I must have angered or embarrassed or hurt him, I felt bad. Because I wasn’t out of love yet.
The most important aspect of this week’s lesson is this: work with your emotions, then wait, then rework, then wait, and then precisely when you’re sure you want to share your masterpiece of dirty laundry with the one who inspired it, send it to a literary publication instead. That way, at least any incurred hurt feelings are accidental. And accidents happen as often as love.